May 18th, 2012
Shares of Facebook officially go on sale today on the New York Stock Exchange and Facebook creator/CEO Mark Zuckerberg was on hand this morning to ring the bell to start trading. The hoodie-wearing Zuckerberg did not make his way to NYC, NY to ring the bell … he did his bell ringing duty via satellite from Facebook headquarters here in California. Click below to see photos and watch video of the hallowed event and be a part of the Facebook hoopla that has taken the world by storm today.

Mark Zuckerberg, wearing his trademark hooded sweatshirt, remotely rang the bell to open the Nasdaq Friday, marking a historic share offering for Facebook that confirms the growing importance of the social network giant. Amid a crowd at Facebook’s California headquarters, Zuckerberg and hundreds of employees cheered as the 28-year-old co-founder rang the bell via video for the New York-based Nasdaq. Facebook shares were to start trading later in the day in the richest-ever initial public offering for a technology firm. Zuckerberg wore a dark hoodie, unfazed by criticism from some on Wall Street about his casual attire. And most of those on hand for the ceremony were wearing similar sweatshirts or T-shirts. The company’s stock, priced at $38 per share, was to begin trading under the symbol “FB” on the Nasdaq, giving the leading website a dizzying value of $104 billion at its market debut. The IPO raised more than $16 billion, making it the richest after that of financial giant Visa in 2008, according to Renaissance Capital. The addition of a possible stock “over-allotment” could boost the total to $18.4 billion. Facebook itself is selling 180 million shares and early investors in the company the remaining 241 million. With a market value of $104 billion, Facebook is now among the most valuable US companies, ahead of sector giants Amazon ($98 billion) and Cisco ($89 billion), and more than twice the value of Ford Motor Co. ($38 billion). But it remains behind Google ($203 billion) and Apple ($495 billion).
I’ll admit that I’m not well schooled on the ways of the stock market but it’s impossible not to be aware of what is going on today. Facebook, that “little” social networking site that a great many of us spend a lot of time using on a daily (hourly, minutely) basis, is already a force to be reckoned with but by going public … it has the chance to become an even bigger phenomenon. Some claim that Facebook could become the world’s first trillion dollar company. A TRILLION DOLLARS! I honestly cannot comment with any authority about what may come from this sale of Facebook stock but I have a feeling that today is the start of a whole new chapter for the company. Will Facebook get even bigger than it is now? I guess we’ll see. As for those $38 pieces of stock … are you gonna buy up some shares today?
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May 18th, 2012
MMA/BoxingVideo

It’s hard for me to put into words how great this is, but I’ll try anyway: this is Eric Kelly, a trainer at Manhattan’s Church Street Boxing gym. Most of his clients are your run-of-the-mill Wall Streeters looking for a quick workout. Many of them are not athletically inclined. Or, as Kelly puts it, they’re “nerds” with “no coordination.”
If you like former boxers berating Wall Street guys (and who doesn’t) then this video is your profanity-laden Christmas. Enjoy.
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May 15th, 2012
With our overview of the main fair done, we now move on to the satellite fairs of Frieze week in New York. The Pulse fair was held at the Metropolitan Pavilion in Chelsea and featured sixty national and international galleries, presenting exhibitions that span across all media, from works on paper, painting, and sculpture, to performance, installation, and video art. Take a look at some snaps of the wide array of artwork below…
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May 15th, 2012
ARTISTS: Sabine Bitter & Helmut Weber, Judith Fegerl, Rainer Ganahl, Matthias Herrmann, Johanna Kandl, Mathias Kessler, Fabian Patzak, Rainer Prohaska, TIME’S UP, WochenKlausur
Curated by Amanda McDonald Crowley
New York, April 2012 – The Austrian Cultural Forum New York (ACFNY) is proud to present Our Haus, an exhibition in celebration of its ten year anniversary. Curated by Amanda McDonald Crowley, Our Haus for- goes a typical survey, instead examining the many facets of the Forum’s mission as a place for the presenta- tion of contemporary culture, as a center for the discussion of ideas and establishing cross-cultural relation- ships. These aspects are presented through recent and newly-commissioned works by ten artists with ties to Austria and New York, who employ the landmark architecture of the Forum to explore themes that celebrate the history and mission of the ACFNY and its role within the city.
Central to the exhibition is Rainer Prohaska’s Cuisine à tous les étages (Kitchen on every floor) (2012), an interactive installation that invites visitors to visit kitchen stations extending throughout the narrow verticality of the building’s gallery space. Each station will provide one item to create a meal, fostering an an exploration of the space and conversation among guests. New bonds and repurposing of the building are also reflected in the work of the collective WochenKlausur, who have created an office and meeting room within the gallery, inviting a variety of local non-profit organizations to both network and operate in the space for the run of the exhibition.
Judith Fegerl – known for her sculptural work that combines intangible elements with the con- structed and using electricity as a medium in her work – will intervene within the architecture of the building itself, creating drawings via controlled electrical fires in the walls. Conversely, Sabine Bitter and Helmut We- ber have created an architectural intervention upon the walls themselves through a specially commissioned wallpaper designed for New York City.
Rainer Ganahl, a veteran New Yorker, has produced a video that traces the route up Third Avenue, contrasting the open architecture and bustling neighborhood surrounding the ACFNY with his adopted home of Spanish Harlem and its boarded-up residential spaces. Architectural disparity is also present in the paintings of New York-born, Austrian-raised Fabian Patzak, who creates intimate impressions of buildings and fixtures found in his travels for what will be his first exhibition in the city.
Johanna Kandl and Helmut Kandl channel a personal sense of domesticity through vintage super-8 films of her childhood home, edited together with contemporary footage of its now-abandoned state. Johanna Kandl also welcomes visitors to Our Haus with a second work, a large painting entitled Wir haben viele Fre- unde (We Have Many Friends).
Similarly personal is the work of Matthias Herrmann, who presents still lifes created from his recent New York residency that reflect upon topics such as sexuality, sexual health, and body image. For the first time these works are also freely available as postcards, allowing a direct and personal exchange between artist and audience. The Linz-based collective TIME’S UP will present Unattended Luggage, an installation that draws the audience in to the vast history of immigration in New York by providing items of luggage for them to peruse.
Lastly, interactivity takes a more lighthearted turn in Mathias Kessler’s Das Eismeer, Die gescheiterte Hoffnung (The Arctic Sea, The Failed Hope). The famous titular landscape by Caspar David Frie- drich is recreated by Kessler as a sculpture inside a mini-fridge that visitors are encouraged to gaze upon as they help themselves to a bottle of beer. A social sculpture, the intention is that audience members also en- gage in conversation while contemplating the view.
ABOUT THE AUSTRIAN CULTURAL FORUM NEW YORK
With its architectural landmark building in the heart of Midtown Manhattan, the Austrian Cultural Forum New York hosts more than 200 free events annually and showcases Austrian contemporary art, music, lit- erature, and academic thought. The Austrian Cultural Forum houses around 10,000 volumes in its state-of-the- art library, and enjoys long-standing and flourishing partnerships with many venerable cultural and academic institutions throughout New York and the United States. The year 2012 marks the ten-year anniversary of the building’s construction, and will feature many special programs and events commemorating this milestone.
ABOUT AMANDA MCDONALD CROWLEY
Amanda McDonald Crowley is a New York-based Australian curator and facilitator who has created pro- grams and events of new media art, contemporary art, and trans-disciplinary work. She was the Executive Director of Eyebeam Art and Technology Center from late 2005 to 2011. She has curated exhibitions, screen- ings and events which have been presented in New York, Australia, Canada, the UK , New Zealand and Ko- rea. Her contributions to the field of electronic art also include her work as Executive Producer of the 2004 edition of ISEA which was held in Tallinn, Estonia and Helsinki, Finland, and on a cruiser ferry in the Baltic Sea. She was also Director of the Australian Network for Art and Technology (ANAT)and later, Associate Di- rector of the Adelaide Festival 2002 where she was co-curator of the exhibition conVerge: where art and sci- ence meet. She has worked throughout Europe and Asia, holding residencies in Berlin, Germany (1994/5), Banff Center for the Arts, Canada (2002) and at The Sarai Programme at CSDS in Delhi, India (2002/3). Amanda is also a Board member of NAMAC (National Alliance for Media Art + Culture).
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May 12th, 2012
I’ll be talking about my out-next-week book
Ron Paul’s Revolution: The Man and the Movement He
Inspired in New York City, Willamsburg sector in Brooklyn,
in an interesting setting. Details
from the blog of my host Todd Seavey:

Thursday, May 17 (at 8pm), the Dionysium (sister series to the
popular events by that name held in Austin, TX) begins with main
speaker Brian Doherty, talking to me (your Dionysium host and
moderator) about his new book Ron Paul’s Revolution: The Man
and the Movement He Inspired.
It happens at 2 Havemeyer St. (three blocks east of Bedford
Ave., the easily-reached first subway stop into Williamsburg on the
L), on the second floor, directly above the space soon to house the
bar Muchmore’s. Enter through the side door on N. 9th St.
Though my libertarian views and Brian’s are well known, the
Dionysium is a non-partisan crucible of skeptical analysis and
varied entertainments – and Brian has a sense of humor – so join us
even if you are merely bemused by the one remaining non-Romney
candidate for the Republican nomination and want to know whence he
came.
I’ve enjoyed past NYC events hosted by Todd, and lots of amusing
rowdiness is likely. If you can make it, please do. See the
typically complicated big-city instructions above: although it is
on Havemeyer St., you enter on the side door
on N. 9th St. What do I know, I live in Los Angeles.
My most recent Reason.tv video on Ron Paul’s youth appeal:
Cross-posted at the dedicated Ron Paul’s Revolution
blog/site.
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May 12th, 2012
There is a devastating article showing the effects of segregation on NYC schools in today’s Times.
It’s entitled “Why Don’t We Have Any White Kids?” and takes a close look at Explore Charter School in Flatbush, or “the prison school” as it is known to its students.
First, here are the numbers on segregation, first city-wide, then at Explore Charter:
In the broad resegregation of the nation’s schools that has transpired over recent decades, New York’s public-school system looms as one of the most segregated. While the city’s public-school population looks diverse — 40.3 percent Hispanic, 32 percent black, 14.9 percent white and 13.7 percent Asian — many of its schools are nothing of the sort.
About 650 of the nearly 1,700 schools in the system have populations that are 70 percent a single race, a New York Times analysis of schools data for the 2009-10 school year found; more than half the city’s schools are at least 90 percent black and Hispanic. Explore Charter is one of them: of the school’s 502 students from kindergarten through eighth grade this school year, 92.7 percent are black, 5.7 percent are Hispanic, and a scattering are of mixed race. None are white or Asian. There is a good deal of cultural diversity, with students, for instance, of Haitian, Guyanese and Nigerian heritage. But not of class. Nearly 80 percent of the students qualify for subsidized lunch, a mark of poverty. The school’s makeup is in line with charter schools nationally, which are over all less integrated than traditional public schools.
At Explore, as at many schools in New York City, children trundle from segregated neighborhoods to segregated schools, living a hermetic reality.
The school’s enrollment is even more racially lopsided than its catchment area. Students are chosen by lottery, with preference given to District 17, its community school district, which encompasses neighborhoods like Flatbush, East Flatbush, Crown Heights and Farragut. Census data for District 17 put the kindergarten-through-eighth-grade population at 75 percent black, 13 percent Hispanic, 12 percent white and 1 percent Asian. But the white students go elsewhere — many to yeshivas or other private schools.
And of course the predominantly white teaching staff imposes strict discipline on their black charges:
Explore students wear uniforms and have a longer school day and year than the students in the other schools in the building, schools with which they have a difficult relationship. A great deal of teaching is done to the state tests, the all-important metric by which schools are largely judged. In the hallway this spring, before the tests, a calendar counted down the days remaining until the next round.
Explore’s academic performance has been inconsistent. Last year, the school got its charter renewed for another five years, and this year, for the first time, three students, including Jahmir, got into specialized high schools. Yet, on Explore’s progress report for the 2010-11 school year, the Education Department gave it a C (after a B the previous year). In student progress, it rated a D.
“We weren’t doing right by our students,” Mr. Ballen said.
In response, a new literacy curriculum was introduced and greater emphasis was put on applauding academic achievement. School walls are emblazoned with motivational signs: “Getting the knowledge to go to college”; “When we graduate …we are going to be doctors.” Teachers are encouraged to refer to students as “scholars.”
Convinced that student unruliness was impeding learning, the school installed a rigid discipline system. Infractions — for transgressions like calling out without permission, frowning after being given a demerit, being off task — lead to detention for upper-school students. On some days, 50 students land in detention, a quarter of the upper school.
Positive behavior does bring rewards, like making the Respect Corps, which allows a student to wear an honorary T-shirt. Winning an attendance contest can lead to treats for the class or the freedom to wear jeans.
Still, some students have taken to referring to Explore as “the prison school.”
25%-35% of the teaching staff turns over every year.
But one thing remains constant.
65% are white.
Now an integrated school environment doesn’t ensure an excellent education for children.
It doesn’t ensure that kids will learn racial and ethnic tolerance.
But it does ensure one thing:
When you have an integrated school, you do NOT have a predominantly white teaching staff imposing strict (and sometimes harsh) discipline onto a student body that is overwhelmingly black.
Explain to me how there is a difference between Bloomberg setting up a school system run by white people to “discipline” students of color and a police policy which, in the words of Commissioner Kelly, seeks to “instil the fear in black and Hispanic youth that every time they leave their homes they will feel that they could be stopped”?
On Thursday I posted that P.W. Bloomberg had built South Africa on the Hudson.
Today’s Times story does nothing to undercut that statement.
Welcome to Bloomberg’s South Africa on the Hudson – a racist, fascist police state.
Watch out for the truncheons, orange netting, pepper spray and stop-and-frisks.
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May 9th, 2012
My tribute to movies made in New York. The music is "New York" by Alicia Keys. Shout out to my friend Natasja Shah for inspiring this and to all my other friends in New York.
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May 9th, 2012
This true story takes place over twenty-eight years and involves a novice writer, Holocaust survivors, the Stalinist leader of East Germany, a Nobel Prize Laureate, a private school on Manhattan’s Upper East Side, the head of a German-Jewish institute in London, and an internet discussion group devoted to Nazi Germany.
It is not every day that a writer has his first book published. Especially one that was twenty-eight years in the making. That’s right. Twenty-eight years.
It was in 1983 that I started research on a project that took me from Soho and later Riverdale in the Bronx, New York, to New Jersey, Baltimore, Florida and eventually East Berlin barely a year before the Berlin wall was opened up in 1989. My goal was to contact and meet survivors (or relatives or friends) of the Herbert Baum group, a resistance group in Nazi Berlin composed mostly, but not exclusively, of German Jews. I had no idea whether or not I would find any but I was going to do my best.
I contacted Aufbau, a German-Jewish newspaper, as well as the Leo Baeck Institute, which is devoted to research German-Jewish history, both of which were located in New York City. Hermann Pichler, the associate editor of Aufbau at the time, was kind enough to write a few articles and a query about me and my search for survivors of the Baum group. Shortly thereafter I began to receive letters (this was before email) from survivors, friends, and relatives of the Baum group. It was Dr. Sybil Milton, chief archivist, as well as librarian Diane Spielmann, who were very helpful to me at the Leo Baeck Institute. The entire staff there were wonderful and became ‘colleagues’ during my time working at the Institute.
To my surprise I met survivors of the group, among them the late Alfred Eisenstadter of New York, who fled Berlin in early 1941, as well as the late Ellen Compart of Boca Raton, Florida, who survived underground in Berlin until liberation. Most of the Baum group survivors that I met had emigrated before 1939 and returned to East Berlin.
I wanted to get to Berlin to do research so I wrote to the leaders of the two Germanys: Helmult Kohl (West) and Erich Honecker (East) requesting sponsorship. A representative of Kohl’s politely rejected my request for assistance, but I was contacted by the press and culture head of the East German embassy in Washington, D.C., who arranged to meet me in Manhattan at a Chinese restaurant. My letter and articles to Erich Honecker were translated and he wanted to help me. The East German leader personally arranged for a visa for me through the head of the German Democratic Republic Anti-fascist Committee to visit East Berlin and meet survivors and do research. A little over a year later, there was a revolution in East Germany and Honecker was swept from power.
At the time I finished my first draft of the book, 1989, I was teaching history at the Lenox School on East 70th Street in Manhattan, New York. I hand-wrote most of the manuscript and typed it on a Commodore 64 computer with a dot-matrix font. I wanted to get feedback and begin developing some kind of buzz about my book, which at the time was called, Red Flags and Yellow Stars. I began to reach out to people who had some influence within the Holocaust research field. Therefore I contacted Michael Berenbaum, who at the time was the director of the United States Holocaust Memorial Museum in Washington, D.C. I sent him the manuscript of my book. He replied that he would be happy to write an introduction for Red Flags and Yellow Stars. Through a contact, I got an address for Nobel Laureate Elie Wiesel, the Holocaust survivor and writer, and wrote to him. He wanted to read my book so I mailed it off to him.
Some time later I received an invitation to meet with Mr. Wiesel at his apartment in Manhattan. It was an honour to sit down with him for an hour or so to discuss my work. This was during the early 1990s, so I only remember snippets of our conversation. He offered to write an introduction to my book. Now I had two experts willing to put their reputations on the line for my work! Publication could not be that far off. Or so I thought.
Armed with letters from Elie Wiesel and Michael Berenbaum, I brought my thick manuscript to a copy shop and had ten or twelve sets of Red Flags and Yellow Stars ran off. I sent them off to combination of university, major, and small publishers. Little by little the letters began to arrive. All of them, however, were rejection letters. By the time I was done submitting my manuscript, I had a nice, neat pile of around 35 rejection letters. I was not happy. In fact, I was considering setting my work to the match. Instead I stuffed it into a top shelf of a closet to gather dust.
In 1992 I received a letter from someone in Berlin named Michael Kreutzer. He had read two essays that I had written on the Herbert Baum group and wanted me to come to Berlin to collaborate with on a historical exhibition called “Juden im Widerstand” (Jews in the Resistance). I had written pieces for The Leo Baeck Institute Year Book of London, which was edited by Dr. Arnold Paucker, who became a friend and mentor on this project, as well as the Jewish Quarterly (also in London). I visited Berlin three times during 1992 and 1993 to work on the exhibition with Kretuzer and attend the official opening. It was a thrilling time. I was able to go to Berlin because the good people that I worked for at the Birch Wathen Lenox School allowed me the time to travel during the school year. I shall always remember that. It was when I worked on “Juden im Widerstand” that, for the first time in my life, a had a little bit of clout.
I arranged for two people to become involved in the project due to my insistence. They were Dr. Margot Pikarski, an East German communist writer, who wrote the first complete book on the Baum group, and Dr. Arnold Paucker, who published my first essay on the Baum group in the Leo Baeck Institute Year Book in 1987. Both of these people were experts on the Baum group and I wanted them involved.
I had always enjoyed my time with Dr. Arnold Paucker. A Berliner who did pioneer research on German-Jewish anti-fascist resistance, he took me under his wing. Publishing my first essay, he championed my work in his own writing. So after a few years of mounting frustration about my unpublished manuscript, I wrote to him in 1997. I told him that I was going to prepare the manuscript for publication and asked if he would review and critique it. He agreed. To this day I regret that.
I contacted a publisher in Europe who agreed to publish my work. The problem was that they would not provide an editor and would not pay me any money. I added big chunks to my book, which were supposed to be background and context for the story of the Baum group. To make a long story short, I wrote some quite idiotic chapters that Dr. Paucker ripped apart for good reason. At the time, however, I was quite upset with him. I felt completely lost. My mentor hated my work and my publisher was not providing an editor; I withdrew it from publication and stuffed it into a file cabinet. I never contacted Dr. Paucker again and never intended to submit my manuscript for publication again. That was 1998.
Thirteen years later I signed up for an internet discussion group on World War II called the Axis History Forum. I looked at the topics on the forum and saw one labelled ‘Resistance.’ I wrote two brief sentences saying that I had written a manuscript on the Herbert Baum group of Berlin. Within a day or two, I began getting messages from the The History Press in the U.K. They wanted to read my manuscript! No editor ever wanted to read it before; they just rejected it! At first I could not find it. Then I found a floppy disc covered with dust in my garage. I blew the dust off and read ‘Baum group book’ on the disc. I spent most of 2011 preparing it for publication. Now it is a few months away from publication. That is the story of how Berlin Ghetto: Herbert Baum and the Anti-fascist Resistance took twenty-eight years to finish.
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May 9th, 2012
The Herman Miller Pop Up Shop opens today in New York City’s Soho neighborhood. The 6,000 square foot space will exhibit the recently announced Herman Miller Collection which aims to serve both consumer and commercial furniture needs. PSFK got an advance tour of the shop which is designed to encourage browsing and discovery. There is a nicely balanced mix of the familiar and the new. Eagle-eyed visitors will likely spot a few prototypes of forthcoming pieces Herman Miller will produce scattered around the shop.

Here’s a prototype sofa (which doesn’t even have a name yet) which will soon see production.

Divider walls within the space contain designer bio’s and shelving which displays material samples, accessories and small sculptures.

Herman Miller collaborated with a local gallery to select and display art within the space that complimented the furniture. The artwork is also available for purchase.

Beyond the furniture, which will be available to order at the shop, there is also a curated design accessories area stocked with Alexander Girard pillows, clocks, books and more.
We spoke with Ben Watson, Executive Creative Director with Herman Miller who talked about what visitors can expect to experience:
We’ll have more specific information about the Collection soon. Check out our photos from the space below or if you are in or planning to visit NYC in the next month, stop by and check it out in person.
Herman Miller Pop Up Shop New York City May 9 – July 1, 2012
68 Wooster Street, Soho New York, NY 10012
Store Hours: M-Sat 11-7 Sun 12-5
Click through the thumbnails below to see even more images of the store:
Herman Miller
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May 6th, 2012
This May Day, activists agitating for immigrant rights, labor and Occupy Wall Street are joining together for protests in cities across the country. Watch footage in this video from the protests in New York City currently underway. For more videos visit TheNation.com.
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